AMOROUS MUSINGS

Google Art Project

I am obsessed with the Google Art Project that recently launched. This is an insanely close look at the tears being cried by a mother in “No Woman, No Cry” by one of my favorite British artists Chris Ofili. When you view this work from a distance, you actually cannot see the detail of this young man’s face encapsulated in blue — in person, you cannot even see the level of detail afforded by Google.

Also captured above is a screen shot of the same work of art under black light conditions so you can see the dedication to the young man who inspired the work of art. A view of the artwork I had never seen before [even though I’ve been lucky enough to see this at the Tate].

This by no means replaces the museum experience, but there is going to be a new level of scholarly analysis open to art history students, even if they cannot get to the museum itself.

[LOVE IT!]

The Google Art Project spans many different eras of art, as well as collections of art at museums around the world — excited to see how far it expands [i am hoping for some privately-owned collections to come online].



“Mr. Chipperfield’s museum is instead a modern building that inhabits the ghost of an old one.”

- Michael Kimmelman for the NYT in his review today of David Chipperfield’s 11-year (successful) renovation of Berlin’s Neues Museum.
Check the slideshow and the article for fascinating details about the renovation, architect intention, and the history of the building.
I was especially taken by Mr. Chipperfield’s decision to leave much of the evidence of its war history present - bullet holes and clear demarcations of war time activities remain completely visible. No spackle here.
This is making my list for my next visit to Berlin.
Photograph by Barbara Sax/Agence France-Presse via NYT. View Larger

“Mr. Chipperfield’s museum is instead a modern building that inhabits the ghost of an old one.”

- Michael Kimmelman for the NYT in his review today of David Chipperfield’s 11-year (successful) renovation of Berlin’s Neues Museum.

Check the slideshow and the article for fascinating details about the renovation, architect intention, and the history of the building.

I was especially taken by Mr. Chipperfield’s decision to leave much of the evidence of its war history present - bullet holes and clear demarcations of war time activities remain completely visible. No spackle here.

This is making my list for my next visit to Berlin.

Photograph by Barbara Sax/Agence France-Presse via NYT.